Selected References

Gender and Action Films 1980-2000

ISBN: 978-1-80117-507-4, eISBN: 978-1-80117-506-7

Publication date: 24 November 2022

Citation

(2022), "Selected References", Gerrard, S. and Middlemost, R. (Ed.) Gender and Action Films 1980-2000 (Emerald Studies in Popular Culture and Gender), Emerald Publishing Limited, Leeds, pp. 217-221. https://doi.org/10.1108/978-1-80117-506-720221017

Publisher

:

Emerald Publishing Limited

Copyright © 2023 Steven Gerrard and Renée Middlemost. Published under exclusive licence by Emerald Publishing Limited


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Selected Journals and Other Printed or Online Sources

Barbour, 1999 Barbour, D. H. (1999). Heroism and redemption in the Mad Max trilogy. Journal of Popular Film and Television, 27(3), 2834. doi:10.1080/01956059909602806

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Boyle and Brayton, 2012 Boyle, E. , & Brayton, S. (2012). Ageing masculinities and ‘muscle work’ in Hollywood action film: An analysis of the expendables. Men and Masculinities, 15(5), 468485.

Briggs and Kelber-Kaye, 2000 Briggs, L. , & Kelber-Kaye, J. I. (2000). There is no unauthorized breeding in Jurassic Park: Gender and the uses of genetics. NWSA Journal, 12(3), 92113.

Brown, 1993 Brown, J. A. (1993). Gender and the action heroine: Hardbodies and the point of no return. Cinema Journal, 35(3), 5272.

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Select Filmography

Alien (Ridley Scott, 1979).

Alien3 (David Fincher, 1992).

Aliens (James Cameron, 1986).

Angel (Robert V. O'Neill, 1984).

Angel III: The Final Chapter (Tom DeSimone, 1988).

Ashes of Time (Wong Kar-Wai, 1994).

Avenging Angel (Robert V. O'Neill, 1985).

Barbarian Queen (Hêctor Olivera, 1985).

Basic Instinct (Paul Verhoeven, 1992).

Beverley Hills Cop (Martin Brest, 1984).

Chungking Express (Wong Kar-Wai, 1994).

Commando (Mark L. Lester, 1985).

Conan the Barbarian (John Milius, 1982).

Conan the Destroyer (Richard Fleischer, 1984).

Fallen Angels (Wong Kar-Wai, 1995).

Happy Together (Wong Kar-Wai, 1997).

John Wick (Chad Stahelski, 2014).

Jurassic Park (Steven Spielberg, 1993).

Jurassic World (Colin Trevorrow, 2015). (Dir.).

Jurassic World: Dominion (Colin Trevorrow, 2022).

Jurassic World: Fallen Kingdom (Juan Antonio Bayona, 2018).

Lethal Weapon (Richard Donner, 1987).

The Lost World: Jurassic Park (Steven Spielberg, 1997).

Mad Max (George Miller, 1979).

Mad Max II (George Miller, 1981).

Mad Max: Beyond Thunderdome (George Miller, 1985).

Mad Max: Fury Road (George Miller, 2015).

Point Break (Kathryn Bigelow, 1991).

Red Sonja (Richard Fleischer, 1985).

Robocop (Paul Verhoeven, 1987).

Rosario Tijeras (Emilio Maillé, 2005).

The Running Man (Paul Michael Glaser, 1987).

La Sargento Matacho (William Gonzalez, 2017).

Shame (Dan Lerner, 1992).

Shame (Steve Jodrell, 1988).

Shame II: The Secret (Dan Lerner, 1995).

The Specialist (Luis Llosa, 1994).

Total Recall (Paul Verhoeven, 1990).

Prelims
Introduction
Part 1 Masculinity and Anxiety
Chapter 1 From Total Recall to Last Action Hero(ine): Sex, Violence and Sharon Stone in the 1990s
Chapter 2 Gender Spaces in Action Films: The Mad Max Franchise
Chapter 3 ‘I'll Be No Man's Slave and No Man's Whore, and If I Can't Kill Them All, by the Gods They'll Know I've Tried’. Swords, Sorcery and Barbarian Queens
Chapter 4 Masculinity and the Buddy Cop Film
Chapter 5 Riding the Waves of Crisis: Point Break and Masculinity in 1990s American Action Cinema
Part 2 Transformative Femininity
Chapter 6 Motherhood and Machoism: The Multi-Dimensional Ellen Ripley of James Cameron's Aliens
Chapter 7 Babes on Bikes: Shame, Rape Revenge, and a Woman on a Motorcycle as an Action Heroine
Chapter 8 Action Women in Contemporary Colombian Cinema: Female Warriors and Emancipations Within Illegal Armed Organisations
Chapter 9 ‘Sexism in Survival Situations’: Reconsidering Gender in Jurassic Park
Part 3 Gender/Politics and 1980s Action
Chapter 10 Sword-Wielding and Gun-Shooting Women: Gender and Post-Colonial Hong Kong in Wong Kar-wai's Films
Chapter 11 Gender, Ideational Populism and the Eighties Action Cinema
Chapter 12 A Rainbow-Coloured Riot on Hollywood Boulevard: Even an Avenging Angel Needs a Little Help From Her Elderly and LGBTQ Friends Sometimes
Part 4 Gender and Action Stars
Chapter 13 Arnold's Anima: Gender Subversion in Schwarzenegger's Commando
Chapter 14 From The One to John Wick: Keanu Reeves and the Action Genre
Conclusion
Selected References
Index