Index

Gender and Action Films 1980-2000

ISBN: 978-1-80117-507-4, eISBN: 978-1-80117-506-7

Publication date: 24 November 2022

This content is currently only available as a PDF

Citation

(2022), "Index", Gerrard, S. and Middlemost, R. (Ed.) Gender and Action Films 1980-2000 (Emerald Studies in Popular Culture and Gender), Emerald Publishing Limited, Leeds, pp. 223-228. https://doi.org/10.1108/978-1-80117-506-720221018

Publisher

:

Emerald Publishing Limited

Copyright © 2023 Steven Gerrard and Renée Middlemost. Published under exclusive licence by Emerald Publishing Limited


INDEX

A Better Tomorrow III: Love and Death in Saigon (1989)
, 140–141

A Touch of Zen (1971)
, 140

Action
, 1–2, 24

heroines
, 93–95

masculinity
, 53–55

movie genre
, 26

scenes
, 124

sequences
, 38

Action and Adventure Cinema (Tasker)
, 2–3

Action Chicks: New Images of Tough Women in Popular Culture (Inness)
, 2–3

Action Cinema
, 156, 214–215

Action films
, 10–11, 52, 140

homoerotic and subversive elements in
, 189–190

in Reagan Era
, 171–173

Action women

emancipation
, 105–108

female warrior in Colombian cinema
, 108–118

Adventure
, 125–126

After the Fall of New York (Martino)
, 24

Agile action star, reading and reception of
, 206–208

Alias María (Rugeles)
, 104–105

Alien Resurrection
, 84–85

Alien Woman: The Making of Lieutenant Ripley
, 78–79

Aliens (Cameron)
, 77–79, 156, 158, 161, 214

films
, 79–80

sequel
, 81

siege
, 82–83

stages in
, 80–81

Andrews
, 177–178

Angel

action scene
, 179–180

key characters
, 173–176

trilogy
, 170

Anti-Heroines
, 109–114

Archetypes
, 52–53

Ashes of Time (1994)
, 141

Atomic Blonde (Broughton)
, 15–16

Ator the Invincible (D’Amato)
, 38

Attainment of romantic partner
, 58–60

Avenging Angel
, 176–177

Babes on Bikes
, 93–94

female friendship
, 97–98

feminist snap
, 99–101

mandatory heterosexuality
, 96–97

Bad Girls: The Media, Sex & Feminism in the 90s (Lumby)
, 15–16

Barbarian Queen (Olivera)
, 38, 44, 47

Barbarianism
, 40

Barbed Wire (1996)
, 93–94

Basic Instinct (Tramell)
, 10–12, 16–17

Beastmaster, The (1982)
, 44, 189–190

Beauty in motion
, 205–206

Beauty of Living Twice, The
, 10–11

Belligerence
, 157

Ben Hur (1925/1959)
, 39–40

Beverly Hills Cop
, 52–54, 56

Beyond Bombshells: the New Action Heroine in Popular Culture (Brown)
, 2–3

Beyond Thunderdome
, 31–32

Black Angel
, 44

Black Cauldron, The (Berman and Rich)
, 38

Body
, 200

Boy, Billy
, 178–179

Buddy-cop films
, 52–53

action masculinity
, 53–55

attainment of romantic partner
, 58–60

emotional stability
, 56–58

identity and career accomplishment
, 55–56

Buffy the Vampire Slayer
, 14–15, 98

Bullet in the Head (1990)
, 141

Cabiria (1913)
, 39–40

Camp elements
, 189–190

Career accomplishment
, 55–56

Cars That Ate Paris, The (1974)
, 92, 94–95

Casino Royale (2006)
, 206

Casual sexism
, 127–128

Charlie’s Angels
, 140–141

Chungking Express (1994)
, 141

Civilisation
, 40

Clash of the Titans (Harry-hausen)
, 44

Cloverfield, The (Hamilton)
, 77–78, 85–86

Cocaine Wars (Olivera)
, 44–45

Collins
, 177–178

Colombian cinema, female warrior in
, 108–118

Colombian guerrillas
, 105

Colonial Marines
, 160

Come Drink with Me (1966)
, 140

Comedy
, 53–54

Commando (1985)
, 52–53, 186–187

queering
, 189–190

subversive thesis on gender
, 196

Conan the Barbarian (Milius)
, 38, 40, 42, 44

Conquest (Fulci)
, 38

Contemporary Action Cinema (Purse)
, 3

Contemporary Masculinities in Fiction, Film and Television (Baker)
, 2–3

Coogan’s Bluff (1968)
, 172–173

Costuming
, 128

Cowboy
, 170

Crank It Up: Jason Statham: Star! (Gerrard and Shail)
, 3

Dangerous Curves: Action Heroines, Gender, Fetishism, and Popular Culture (Brown)
, 2–3

Dead End Drive In (1986)
, 92, 94–95

Death Wish 2 (Winner)
, 170

Deathstalker (Watson)
, 38, 43–44

Die Hard (1988)
, 189–190

Die Hard (McTiernan)
, 38

Dinosaurs
, 123–124

Dragonslayer (Robbins)
, 38

Easy Rider (1969)
, 92–93

Edipo alcalde (Triana)
, 104–105

El hermano Caín (López)
, 104

El río de las tumbas (Luzardo)
, 104

Emotional stability
, 56–58

Emperor of the North Pole
, 2

Empowerment
, 30–31

Enforcement Droid Series 209 (ED-209)
, 164

Esta fue mi vereda (Canal)
, 104

Excalibur (Boorman)
, 38

Executioners (1993)
, 140–141

Expendables (2010–2014)
, 201, 214

Expendables 3, The
, 189

Exploitation
, 157

Face/Off (Woo)
, 65

Fallen Angels (1995)
, 141

Family
, 171

Fandom
, 11–13

Fast & Furious action franchise
, 201–203, 214

FBI’s test
, 67

Female emancipation
, 107

Female friendship
, 97–98

Female warrior in Colombian cinema
, 108–118

Femininity
, 3–4

Feminism
, 25

Feminist snap
, 99–101

Fight Club (Fincher)
, 65

Fire and Ice (Bakshi)
, 38

First Blood (Kotcheff)
, 2, 4, 38

Five Wives
, 33

Flame and Crimson: A History of the Sword-and-Sorcery (Murphy)
, 41

From Russia with Love (1963)
, 191–192

Fury Road
, 24–26, 28, 32

Gaming
, 214–215

Gender
, 1, 10–11, 65, 156, 170, 186, 214–215

agency
, 33

disparity
, 52

in Jurassic Park
, 124

lens
, 3–4

masquerade
, 65

performance
, 66

portrayals in Action Cinema
, 2

Genre
, 140

Girl on a Motorcycle, The (Cardiff)
, 93, 97

Girl With the Dragon Tattoo, The
, 94

Goliath and the Barbarians (Campogalliani)
, 39–40

Gor (Kiersch)
, 38

Grandmaster, The (2013)
, 141, 148–149

Green Place
, 86–87

Gunan, King of the Barbarians (Prosperi)
, 44

Hamlet
, 189

Hard and/or hysterical bodies
, 202–203

Hard Bodies: Hollywood Masculinity in the Reagan Era (Jeffords)
, 2, 186–187

Hard body
, 171

Hawk the Slayer
, 44

Hearts and Armour (Battiato)
, 42

Heavy Metal (Potterton)
, 38

Hegemonic hierarchy
, 200–201

Hegemonic masculinity
, 25, 64, 72–73

Hercules (1983)
, 39–40, 44, 189–190

Heroic Trio (1993)
, 140–141

Heroism
, 77–78, 87–88

Highlander (1986)
, 52–53

Hobbs & Shaw (2019)
, 205–206

Homoeroticism
, 190

Hong Kong (cinema)
, 140

female drug dealer and killer dispatcher
, 141–143

female fighters and post-colonial culture
, 147–149

fighting and travelling women in Jianghu
, 144–146

Hundra (Cimber)
, 38

Hunger Games, The (Everdeen)
, 77–78, 85

Hybrid Tomboys
, 114–118

I Can Remember It For You Wholesale (Dick)
, 13

I Spit on Your Grave (Zarchi)
, 46–47

ICS Network Television
, 162

Ideational populism
, 156–157, 167

Identity
, 55–56

Illegal armed organisations
, 106–107

Interstellar Commerce Commission tribunal (ICC tribunal)
, 158–159

Iron Master (Lenzi)
, 38

James Bond cycle
, 2, 65

Jianghu, fighting and travelling women in
, 144–146

Junior (1994)
, 186

Jurassic Park
, 3–4, 123–124, 134–135

films
, 124–125

gender in
, 124

men
, 129–132

over-sexed dinosaurs of
, 132–134

women of
, 125–129

Jurassic Park III
, 132

Jurassic World
, 125–126

Kar-wai, Wong
, 141, 145–146, 148

Kathryn Bigelow
, 65–66

Killer, The (1989)
, 141

King of Elfland’s Daughter, The (Dunsaney)
, 39–40

Krull (Yates)
, 38

Kull of Atlantis (1929)
, 40

La Sargento Matacho (González)
, 104–105

La toma de la embajada (Durán)
, 104–105

Last Action Hero (Tramell)
, 10, 17

Lazy 70s-era sexism
, 127–128

Leather Boys, The (1964)
, 92–93

Legends of the Condor Heroes, The (1957)
, 145

Lethal Weapon
, 52–56

Lethal Weapon 2 (Donner)
, 41

LGBTQ social movement
, 177

Lord of the Rings, The (Jackson)
, 39–40

LV-426
, 160

Macho-mother heroism
, 83, 87

Mad Max
, 24, 34

discourse
, 27

films
, 92

Mad Max 2
, 31

Mad Max Beyond Thunderdome
, 31

visual narrative
, 26

Mad Max: Fury Road (Furiosa)
, 77–78, 85–87

Madonna and the Christ Child, The
, 79–80

Main Force Patrol
, 27

Male bodies
, 201–202

Male virility
, 113–114

Male-on-Male Gaze
, 193–195

Mandatory heterosexuality
, 96–97

Masculine action
, 201–202

Masculinities and Hong Kong Cinema (Pang and Wong)
, 3

Masculinity
, 3–4, 27, 42–43, 64, 200–201, 203–204

crises
, 65

Matrix, The (Wachowskis)
, 65, 200, 204–205

Matrix and John Wick (Reeves)
, 3–4

Matrix trilogy
, 77–78

Max and Nux (Hoult)
, 33

Men
, 200–201

of Jurassic Park
, 129–132

Metal Storm: The Destruction of Jared Syn (Band)
, 24

Midnite Spares (1983)
, 92

Misogyny
, 52

Mission: Impossible (De Palma)
, 65

Mobility
, 203–204

Modern gangster
, 140

Monstrous-Feminine, The (1993)
, 111

Motherhood
, 77–78, 81

Motion
, 205–206

Motorcycle films
, 92

Mujer de fuego (Mitrotti)
, 104–105

Musculinity
, 171–172

Mysticism
, 37–38

National Film and Sound Archive of Australia (NFSA)
, 30

Never-Ending Story, The (Petersen)
, 38

Normativity under siege
, 64–65

Nostromo
, 79, 81–82

Nü-xia (female knight-errant)
, 140

Omni Consumer Products (OCP)
, 164–165

Over-sexed dinosaurs of Jurassic Park
, 132–134

Perfect (Bridges)
, 45–46

Play Murder for Me (Olivera)
, 44–45

Point Break (Bigelow)
, 3–4, 65–66, 200, 204

central tension
, 67

opening sequence
, 66–67

preoccupation
, 72–73

transformative power in
, 71–72

violence in
, 71

voices of masculinity
, 68–69

Populism
, 156–157

Populist demagoguery
, 157–167

Post #MeToo cultural shifts
, 12

Post-colonial culture
, 147–149

Post-feminism
, 11–12

Pre-#MeToo Hollywood
, 10–11

Pre-traumatic anticipatory anxiety
, 24

Predator (1987)
, 52–53

Pretty Woman (1990)
, 14–15

Prostitution
, 173–174

Psychomania (1972)
, 92–93

Psychotic monster
, 113–114

Public sphere
, 104–105

Quantum of Solace (2008)
, 206

Queering Commando
, 189–190

Rainbow protagonists
, 176–177

Rambo (1982)
, 52–53

Rambo (2008)
, 195

Rambo: First Blood Part II (1985)
, 189–190

Rape
, 113

revenge
, 94, 97–98

Reaganism
, 171–172

Red Sonja (Neilson)
, 43–44

Reeves, Keanu
, 200

agile action star, reading and reception of
, 206–208

beauty in motion
, 205–206

hard and/or hysterical bodies
, 202–203

kinetic
, 204–205

male bodies and masculine action
, 201–202

masculinity, mobility and movement
, 203–204

men, masculinity and hegemonic hierarchy
, 200–201

Return of the Condor Heroes, The (1959)
, 145

Return of the King, The
, 44

Ripley, Ellen
, 77–78, 81–82, 87–88, 214

Road House (1989)
, 52–53

Road warriors
, 28

Robocop (Verhoeven)
, 52–53, 156, 164, 167

Romance
, 58

Romancing the Stone (Zemeckis)
, 41

Rosario Tijeras (Maillé)
, 104–105

Running Man, The (Glaser)
, 156, 162, 164

Rush Hour franchise
, 52–53

Schwarzenegger, Arnold
, 186

Science fiction
, 77–78

Scorpio Rising (1963)
, 92–93

Screening the Male: Exploring Masculinities in Hollywood Cinema (Cohan and Hark)
, 2

Second Wave of Feminism
, 79

Sex and Zen & a Bullet in the Head
, 140

Sexual aggressions
, 111

Sexual violence
, 97–98, 111, 113

Sexuality
, 25

Shame (1988)
, 92–95

Shame (1992)
, 92–95

Shame II: The Secret
, 95

Sharon Stone
, 10

Basic Instinct (Tramell)
, 16–17

in early 1990s
, 10–11

Specialist, The (Munro)
, 18–19

theory, method and approach
, 11–13

Total Recall (Quaid)
, 13–16

Sicariato
, 115–116

Sinbad films (Harryhausen)
, 39

Soft body
, 171, 175–176, 178

Sorceress (Stuart/Hill)
, 38

Spartacus (1960)
, 39–40

Spear and Fang (Burke)
, 40

Specialist, The (Munro)
, 10, 18–19

Spectacular Bodies: Gender, Genre and the Action Cinema (Tasker)
, 2, 41–42

Speed (1994)
, 200

Spice Girls
, 14–15

Stallone, Sylvester
, 186

Star Wars (Skywalker)
, 77–78

Starring Tom Cruise (Redmond)
, 3

Stone (1974)
, 92

Striptease strategy
, 194

Sword and sorcery
, 38

Barbarian Queens
, 44–47

beginnings
, 38–41

women warriors
, 41–44

Sword and the Sorcerer, The (Pyun)
, 38

Sword of the Barbarians, The (Tarantini)
, 39

Tang Dynasty
, 145

Tango and Cash
, 189

Terminator, The (Connor)
, 77–78, 85, 186–187

Terminator 2: Judgement Day (1991)
, 186–187

Thor the Conqueror (Ricci)
, 44

Tomb Raider, Charlie’s Angels (2000)
, 205, 2003

Total Recall (Quaid)
, 10, 13, 16

Tough Girls: Women Warriors and Wonder Women in Popular Culture (Inness)
, 2

Toxic masculinity
, 52

Trading Places (Landis)
, 41

Tres Escapularios (Aljure)
, 104–105

True Grit (Hathaway)
, 179–180

Twins (1988)
, 186

Ultimate Stallone Reader: Sylvester Stallone as Star, Icon, Auteur, The (Holmlund)
, 3

Ursus, Son of Hercules (Campogalliani)
, 39–40

Vehicular masculinity
, 25

Victimisers
, 109–114

Vigilantism
, 170

Violence
, 2–3, 37–38

Violent female action characters (VFAC)
, 96

Vulnerability
, 52–53

War Fighters
, 114–118

Warrior and the Sorceress, The (Broderick)
, 38

Warrior Women: Gender, Race and the Transnational Chinese Action Star (Funnell)
, 2–3

Waterworld (Reynolds)
, 24

Weird Tales
, 40

Well at the End of the World, The (Morris)
, 39–40

Wild Bunch, The (1969)
, 195

Wild One, The (1954)
, 92–93

Women of Jurassic Park
, 125–129

Working Girl (Nichols)
, 41

Wuxia
, 140, 145, 147

X-Files (Scully)
, 77–78

X-men
, 140–141, 205

Xena: Warrior Princess
, 98

Xenomorph
, 81–83, 87–88

Prelims
Introduction
Part 1 Masculinity and Anxiety
Chapter 1 From Total Recall to Last Action Hero(ine): Sex, Violence and Sharon Stone in the 1990s
Chapter 2 Gender Spaces in Action Films: The Mad Max Franchise
Chapter 3 ‘I'll Be No Man's Slave and No Man's Whore, and If I Can't Kill Them All, by the Gods They'll Know I've Tried’. Swords, Sorcery and Barbarian Queens
Chapter 4 Masculinity and the Buddy Cop Film
Chapter 5 Riding the Waves of Crisis: Point Break and Masculinity in 1990s American Action Cinema
Part 2 Transformative Femininity
Chapter 6 Motherhood and Machoism: The Multi-Dimensional Ellen Ripley of James Cameron's Aliens
Chapter 7 Babes on Bikes: Shame, Rape Revenge, and a Woman on a Motorcycle as an Action Heroine
Chapter 8 Action Women in Contemporary Colombian Cinema: Female Warriors and Emancipations Within Illegal Armed Organisations
Chapter 9 ‘Sexism in Survival Situations’: Reconsidering Gender in Jurassic Park
Part 3 Gender/Politics and 1980s Action
Chapter 10 Sword-Wielding and Gun-Shooting Women: Gender and Post-Colonial Hong Kong in Wong Kar-wai's Films
Chapter 11 Gender, Ideational Populism and the Eighties Action Cinema
Chapter 12 A Rainbow-Coloured Riot on Hollywood Boulevard: Even an Avenging Angel Needs a Little Help From Her Elderly and LGBTQ Friends Sometimes
Part 4 Gender and Action Stars
Chapter 13 Arnold's Anima: Gender Subversion in Schwarzenegger's Commando
Chapter 14 From The One to John Wick: Keanu Reeves and the Action Genre
Conclusion
Selected References
Index