Aboriginal Reconciliation in Australia

, 38

Accessibility

, 65

Aesthetic experiences

, 2

Aesthetics

, 2–3

Affordability

, 65

Age of modernity architectural spaces

, 109

Agency

, 82–83, 85, 184

Allegorical house as body

, 12–19

Allegory

, 184

of artistic practice

, 5

American Civil War

, 49

Anglo-Boer War or, to the Afrikaners. See Second Boer War

Apartheid design

, 80

Applied sociological research

, 65

Appropriation of space

, 66

Architectural legacy

, 60

Art

, 2–3

Art walks

, 130

Articulation of space

, 101–102

Artistic practices

, 2–3

Attunement

, 176

Australian homemaking

, 29–32

Barbarism

, 52

Boer War and concentration camps

, 47–49

Emily Hobhouse’s Report

, 49–51

liberals, Empire and imperial expansion

, 45–47

impact of Report

, 52–55

Bauhaus

, 69

Becoming-other

, 171–172

Black communities

, 80

Black townships

, 80

Boer War. See Second Boer War

Bong’s Place

, 87–89

Butterfly-shaped building (Schmetterlingshaus)

, 65

Choreographies

, 114, 126

Cities of the Dead (Roach)

, 116

City-makers

, 167–168

City-making

, 167–168

attunement

, 176

cueing

, 175–176

dance improvisation techniques

, 173–178

deploying lines of flight

, 171–173

embodiment

, 175

mirroring city-making skills

, 176–178

practices

, 168

skills in practice

, 169–171

Civic-led practices

, 168–169

Climate crisis

, 114

Co-creation

, 83–84, 91–92

Coastal erosion

, 114

Colonial violence

, 37

Colonisation

, 29

Communication and educational science

, 170

Community engagement (CE)

, 80

with broader community

, 87–89

in democratic South Africa

, 82–83

storytelling as

, 83

Concentration camps, Boer War and

, 47–49

Contemplation

, 183–184

Contemporary art

‘experiential turn’ in

, 130

walking practices within

, 130

Contemporary dance. See Modern dance

Contemporary site-responsive performances

, 114

Content analysis technique

, 153

Contextualisation of study areas and research scope

, 152

Creative geographies

, 130, 132–133

Creative placemaking

, 167–168

Creative space

, 71–75

‘Creative thinking’

, 170

Crime and safety perception

, 150–151

Crimean War

, 49

Criminal Prevention for Environmental Design (CPTED)

, 150

Critical action

, 83–84

Critical discovery

, 83–85

‘Critical imagination’

, 130

Cueing

, 175–176

to movement-in-motion

, 176–177

Cul-de-sac project

, 133, 135, 137

Cultural remembering

, 120

Dance improvisation

Kinaesthesia

, 174

skills

, 176

techniques

, 173–178

Data analysis

, 153

Decolonisation

, 31–32

Deflection

, 144–145

Deleuzian notion of aesthetics

, 2–3

Deleuzian-Guattarian concept of ‘lines of flight’

, 168–169

Democratic South Africa, community engagement in

, 82–83

Dérive

, 131

Détournement

, 131

Devil is a Woman, The (film)

, 107

Digestion as process

, 11–12

Digestive process

, 24

Dispositional fear

, 150–151, 158–159, 161

Do-It-Yourself urbanism

, 167–168

Drover’s Wife, The

, 28, 31–32

reading group

, 36–38

Duration

, 2

Dwelling

, 61–62

allegorical house as body

, 12–19

digestive process

, 24

haunted house

, 19–24

Ecological memorialising

, 115–116

Ecology of memory

, 126–127

Economic vitality

, 65

Embodiment

, 175–176

Emily Hobhouse’s Report

, 49–51

‘Empathetic unsettlement’

, 37

Empire and imperial expansion

, 45–47

Empowerment

, 82–83

English literature

, 9–10

Environmental Criminology

, 150

‘Environments of memory’ (mileux de memoire)

, 116

Exhibition displays, making

, 85–87

Faerie Queene, The (Spenser)

, 10–12, 18, 20

Familiarity

, 141–142

Fear of crime

, 150–151, 158, 160

Federal District (DF)

, 152

Felt space

, 103–105

Festoon project

, 133, 135, 137, 139

Franco Prussian War

, 49

Functionalism

, 61–62

Furniture design

, 70–71

German Democratic Republic (GDR)

, 60, 63

Gilbreth’s approach

, 68–69

Groups Area Act (1950)

, 80

Hansel and Gretel

, 12

Haunting of Hill House, The (Jackson)

, 10–12, 19

History, Memory, Performance (Dean)

, 116

Home, reshaping spaces of

Australian homemaking

, 29–32

teaching indigenous Australian literary adaptations

, 33–36

The Drover’s Wife reading group

, 36–38

House of Flying Daggers (film)

, 103

‘House of Temperance’ (Spenser)

, 12–13

Housing policy, Swedish social-democratic

, 70

Human/human relationships

, 114–115

IKEA (Swedish furniture giant)

, 70

connection between GDR and

, 70–71

Imagination

, 144

Imperial enthusiasm

, 47

Imperial expansion

, 45–47

Imperialism

, 44–45, 47, 184

Improvisation

, 168–169

Indigenous Australian homemaking practices

, 29–30

Indigenous sovereignty

, 27–28

Industrially produced housing

, 64

Information technology

, 170

‘Infra-mall’

, 103

Insecurity perception

, 155–158

Instigation of imperial sentiment

, 46

Integrated planning process of buildings

, 65

Intercultural grafting

, 38

Interdisciplinary approach

, 82–83

‘Inventive method’

, 130

Kinaesthesia

, 174, 176–177

Lace structures

, 101

Les Mots et les choses (Foucault)

, 117

Liberal Party

, 44–45

Liberals

, 45–47

‘Liminal’

, 134–135

‘Lines of flight’

, 168–169

Lines: A Brief History (Ingold)

, 101–102

Lived space

, 66–71

Lost in Lace exhibition

, 108–109

Macassar township

, 80–81

Making duration physical

, 183–184

MDW 60 (Möbelprogramm Deutsche Werkstätten 60)

, 69–70

Memorials

, 115

Memory

, 116

Midnight Lace (film)

, 107–108

“Million Programme”

, 70

Minor dramaturgies

, 114–115

Mirroring city-making skills

, 176–178

Mise-en-scène

, 107–109

Mobile method interview

, 153

Modern dance

, 173

improvisation in

, 174

improvisation skills

, 173

Modern urbanism

, 151

Modernity

, 116

architectural spaces

, 109

Modular construction

, 74

Movement

, 1–2, 60, 183

movement-based artistic practices

, 130

as psychological act of setting in motion

, 184

Multi-disciplinary approach

, 65

N-Vivo software

, 153

Narrative therapy, storytelling in

, 83

Neue Wohnung–modern gestaltet

, 61, 72

New Apartment–Designed the Modern Way. See Neue Wohnung–modern gestaltet

Nomadic spatiality

, 90

Okjokull (OK)

, 115

‘Order of Things, The’ (Foucault)

, 13–14

Out of Place: A Memoir

, 105

Out of Water

, 114, 120, 122

Pages of the Sea

, 114

Pages of the Sea (Boyle)

, 116–120

Pao: A dwelling for Tokyo Nomadic Women (Ito)

, 102–103

Participatory mobile methods

, 162

Participatory storytelling

, 184

Party Congress

, 64

People

, 183

agency

, 83

depersonalised

, 4

humanisation of

, 83–84

locomotion of

, 153

movement of

, 1

relationships between people, places, and spaces

, 3

Perception of insecurity

, 150, 155, 158

Performance

, 114

Performative ‘art walks’

, 130

Performative conventions

, 142–143

Performative walking

, 5, 184

‘Cul-de-sac’

, 137

familiarity

, 141–142

‘Festoon’’

, 137–139

imagination

, 144

performative conventions

, 142–143

performative walking projects in Edinburgh

, 135–146

‘Playing Up’

, 139

Portobello, Edinburgh, in

, 133–134

practices

, 131–133

projecting possibilities

, 145–146

protection and deflection

, 144–145

‘Scale Walks’

, 135

walking as way of making contact

, 143–144

Permeability

, 101, 106

Permeable space

, 102–103

Personal well-being

, 71

Philippine-American War

, 49

Piers Plowman

, 12–16, 18

Place

, 1, 183

in place and out of place

, 105–107

role

, 144

textiles and

, 99–101

‘Places of memory’ (lieux de memoire)

, 116

Plattenbau becomes the Platte

, 71–75

Plattenbauten

, 60–61

Playing Up project

, 133, 135, 139

Political journalism

, 170

Post-colonial studies

, 27–28

Practicality

, 71

Practices

, 184

Pragmatic approach

, 68

Praxis

, 83–84, 91

Production of Space, The (Lefebvre)

, 61

Professional practice of urban development

, 168

Protection

, 144–145

Raindogs

, 132

re:Kreator network

, 169

Reconciliation process

, 27–28, 183–184

Repetitive walking practices, value of

, 141–142

Report (Hobhouse)

, 49–51

impact of

, 52–55

Safety perception

, 150, 153, 155

contextualisation of study areas and research scope

, 152

crime and

, 150–151

data analysis

, 153

dispositional fear

, 161

exploratory qualitative studies

, 162

fear of crime

, 158–160

instruments

, 152

method

, 152–153

participants

, 152

perception of insecurity

, 155–158

procedure

, 152–153

results

, 153–161

results

, 161

and walkability

, 151

Scale Walks project

, 133, 135

Second Boer War

, 44

and concentration camps

, 47–49

Second War of Independence. See Second Boer War

Self-reflexive quality

, 130

‘Sense of anxiety’

, 30

Shorelines

, 114, 126–127

face in sand

, 126–127

marking time

, 114–125

Pages of the Sea

, 116–120

Tide Times

, 122, 124–125

Out of Water

, 120–122

Site-specific performance

, 132

Situational Crime Prevention

, 150

Situational fear

, 150–151

Situationist International

, 131

Social Darwinism

, 46–47

Social-democratic reform

, 70

Socio-economic qualities

, 65

Socio-spatial processes

, 170

Socioeconomic factors

, 150

South African War. See Second Boer War

Space

, 1–2, 183

articulation of

, 101–102

build community identity

, 92–93

felt

, 103–105

lived

, 66–71

metaphorical treatment of

, 9–10

model development to urban problem to creative space

, 71–75

modernist understanding of

, 61–62

permeable

, 102–103

textiles and

, 99–101

Spanish-American War

, 49

Spatial Politics in the Postcolonial Novel (Upstone)

, 31

Spatial practice

, 63–66

Sporadic spatiality

, 90

Sprelacart

, 69

Story maps

, 85–87

Storytelling

as CE process

, 83

co-creation

, 91–92

community engagement in democratic South Africa

, 82–83

community engagement with broader community

, 87–89

conceptual framework

, 83–85

critical action

, 90

Praxis

, 91

Spaces build community identity

, 92–93

story maps, street photography and making exhibition displays

, 85–87

Studiolight’s reauthoring process

, 81

Studiolight’s Who We Are Macassar Community Exhibition Project

, 85

Street photography

, 85–87

Studiolight

, 80–81, 84–85

reauthoring process

, 81

Who We Are Macassar Community Exhibition Project

, 85

‘Survival of the fittest’ thesis

, 47

Swedish social-democratic housing policy

, 70

Tactical urbanism

, 167–168

Teaching indigenous Australian literary adaptations

, 33–36

Textiles

articulation of space

, 101–102

felt space

, 103–105

Mise-en-scène

, 107–109

permeable space

, 102–103

in place and out of place

, 105–107

space, place and

, 99–101

Thought in the Act

, 173

Tidal (Smith)

, 114, 119-122

Tidal spaces

, 114, 126–127

Tide Times

, 114, 122, 124–125

Transcultural literary adaptations

, 31–32

Transformational movement

, 185

Transformative movement

, 5

‘Twelve-corner’ building (Zwölfeckhaus)

, 65

Unsettlement

, 28

Urban crime rates in Brazil

, 150

Urban modernism

, 67–68

Urban modernism in East Germany

lived space

, 66–71

Plattenbau becomes the Platte

, 71–75

spatial practice

, 63–66

theoretical framework

, 61–63

Urbanism

, 61–62

User as designer

, 66–71

Value of repetitive walking practices

, 141–142

‘Victorian prosperity’

, 46

Visual devices role

, 145–146

Voluntary community organisations (VCOs)

, 80

Walkability, safety perception and

, 151

Walking

in ‘odd’ ways

, 142–143

as a group

, 144–145

practices within contemporary art

, 130

as way of making contact

, 143–144

‘Walking as art’

, 130

We of the Never Never (Gunn)

, 29–30

Werkbund

, 69

Who We Are Macassar Community Exhibition Project

, 85

Witnessing

, 32–33