Citation

Penfold-Mounce, R. (2018), "Index", Death, The Dead and Popular Culture (Emerald Studies in Death and Culture), Emerald Publishing Limited, Leeds, pp. 134-142. https://doi.org/10.1108/978-1-78743-053-220181008

Publisher

:

Emerald Publishing Limited

Copyright © Ruth Penfold-Mounce, 2018

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INDEX

Index

Abbott and Costello Meet Frankenstein

, 70

Accessible death

, 113

Ali, Muhammed

, 13

Alzheimer’s disease, zombie metaphors (relationship)

, 83

Amazing Transplant, The

, 52

American Way of Death, The (Mitford)

, 87

America’s Next Top Model

, 101–102

Astaire, Fred

, 31–32

Astaire-McKenzie, Ava

, 32

Astaire, Robyn

, 31–32

Attenborough, David

, 13–14

Authentic Brands Group (ABG)

, 32–33

gazes

, 94–100

Authentic dead

, 87

agency

, 7

control, sense

, 106–107

pop culture star

, 103

Undead, contrast

, 96

usage, responses

, 101–102

women, majority

, 102

Ball, Alan

, 99

Becker, Ernest

, 87, 89

Becker, Howard Saul

, 18

Bereavement/memorialisation

, 2

Bergman, Ingrid

, 20

“Best Is Yet to Come, The” (Sinatra)

, 28

Blackstar (Bowie)

, 27

Blood and Roses

, 70

Bodily control

, 55

Body

consumption

, 77

interest, increase

, 73–74

morbid space, relationship

, 72

parts, transplantation

, 53–54

Undead body, role

, 78–79

Body Farm, The

, 104

Body Parts

, 52

Bonten, Leo

, 41–42

Bowie, David

, 13, 26

posthumous career

, 26–27

Brain That Wouldn’t Die, The

, 52

Branton, Leo

, 30–31

Bronfen, Elisabeth

, 2, 95

Brown, Bobbi Kristina

, 16

Campion-Vincent, Véronique

, 47, 51

Cankeş, Başak

, 101

Carmilla

, 70

Castro, Fidel

, 14

Celebrities

posthumous careers

, 6–7, 9

ownership

, 32–33

typology (Rojek)

, 11

Celebrity Culture and Crime (Penfold-Mounce)

, 11

Celebrity dead

earners

, 29

ownership

, 27

posthumous careers, impact

, 29–30

symbolic/commercial value

, 11–12

Celebrity deaths

polarisation

, 16–17

relationship

, 10

Celebrity, economics

, 28–29

Cellular memory

, 55–56

documented accounts

, 58–59

existence/reports

, 59

impact

, 56–57

narrative form

, 59

passage

, 57

theory

, 57

Cemetery space, history/policy

, 2

Change of Heart (Sylvia)

, 58

Christmas Story, A

, 42

Cirque Du Soleil

, 24

Cleopatra

, 24

Clinical gaze

, 95

Cloning

, 51–52

Cobain, Kurt

, 16, 26

Cohen, Leonard

, 14

Cold Case

, 104

Cole, Nat King/Natalie

, 21

Coma

, 50

Compulsory organ donation

, 51

Control, loss

, 51–53

myth

, 55

Corbett, Ronnie

, 13

Cornwell, Patricia

, 3

Corpses

abjection

, 64

actors

, 96

afterlife

, 41–44

reanimation

, 65–66, 80

representation

, 43

Corruption, narrative

, 49–50

CSI: Crime Scene Investigation

, 104

CSI effect

, 104–105

CSI shows

, 104

Cultural conversion

, 3–4

Culture narratives

, 55

Cushing, Peter

, 21–22

Daniels, Paul

, 13

Dark tourism sites, consumption

, 2

Dawn of the Dead

, 68, 80, 84

Day of the Dead

, 68

Dead

confrontation

, 107

encounter

, 111

entertainment

format, popularity

, 88

usage

, 97–98

media consumption

, 88

pieces, agency

, 42–43

popular culture, power

, 116–117

representation

, 100–101

value

, 41–42

viewing, acceptance

, 105–106

Dead, agency

, 1

popular culture usage

, 7

possession

, 5

Dead celebrities

agency

, 12–13

death, categories

, 14

ownership

conflict

, 31

issues

, 30

posthumous careers

, 20

value/influence

, 6–7

Dead Rich List

, 22–23

trends

, 24–25

Dean, James

, 31

Death

accessibility

, 113

avoidance

, 93

celebrities, relationship

, 10

comedy focus

, 2–3

confrontation

, 87

denial, impact

, 89

value

, 93–94

culture portrayals, role

, 94

deliberation

, 66

encounter

, 111

entertainment format, popularity

, 88

exposure

levels

, 88

popular culture, power

, 116–117

fear

, 90–91

gazes

, 95–96

mass cultural perceptions/acceptance

, 4

medicalisation

, 89–90

positive experience

, 9–10

repression

, 87–88

scholarship, popular culture (usage)

, 115

social neutralization

, 94

taboo subject

, 88–89

undiscovered country (Hamlet)

, 112

Death denial

argument, problems

, 91–92

origins

, 90–91

psychological/psychoanalytical origins

, 91

society

term, usage

, 92

Western culture composition

, 114

thesis

challenge

, 92–93

reinforcement

, 107–108

Death Is Not the End (Dylan)

, 1

Denial, impact

, 89

Denial of Death, The (Becker)

, 87, 89

Dietrich, Marlene

, 20, 33

Donation

forced donation

, 50–51

organ donation

, 44–45, 50

Dracula

, 69

Dracula: Dead and Loving It

, 70

D’Rozario, Denver

, 22

Dying

fear

, 91

observation

, 114–115

Dylan, Bob

, 1

Einstein, Albert

, 29

Eugenics

, 51

Eye, The

, 52–53

Face/Off

, 49

“Face of Fashion” (National Portrait Gallery)

, 102

Fearless Vampire Killers, The

, 70

Federline, Kevin

, 102

Fido

, 69

Fisher, Carrie

, 13, 22

Foltyn, Jacque Lynn

, 2, 4-5, 15, 17, 87, 96, 100–101, 103–104

Forced donation

, 50–51

Forensic gaze

, 95

Forensic science, images (integration)

, 104

Forensic scientists, representations

, 107

Forensics, usage

, 103–104

Forsyth, Bruce

, 15

Frankenstein (Shelley)

, 45

Frankenstein monster, themes (impact)

, 45–46

Frankenstein-rooted mythology, representations

, 45–46

From Dusk till Dawn

, 69

Funeral directors, work

, 2

Gabor, Zsa Zsa

, 14

Garbo, Greta

, 20

Gazes

, 94–95

Gein, Ed

, 42

Giles, David

, 11–12, 36

Goody, Jade

, 16

Graceland, openings

, 26

Haggard, Merle

, 13

Hamlet (Shakespeare)

, 111–112

Hands of Orlac, The

, 51, 52

Harris, Keith

, 13

Harris, Thomas

, 42

Harry Potter and the Half-Blood Prince

, 113

Hendrix, Al

, 30–31

Hendrix, Jimi

, 30–31

Hepburn, Audrey

, 20

Horrible Histories

, 113

Houston, Whitney

, 16

“I’m Gonna Live till I Die” (Sinatra)

, 27

Immortal Tour, The (Cirque Du Soleil)

, 24

Interview with the Vampire

, 70, 81

Island, The

, 51

IZombie

, 77, 81–82

Jackson, Michael

, 6, 23–24

Dead Rich List

, 22

hologram

, 21

posthumous career, success

, 27

posthumous earnings

, 23f

Jackson, Peter

, 29

Jones, Bobby

, 33

Jones, Steve and Jensen, Joli

, 3, 5

Joplin, Janis

, 16

Karnstein Trilogy, The

, 70

Kearl, Michael C.

, 11, 21, 88

Kellehear, Allan

, 2, 90–92

Kelly, Grace

, 33

Khapaeva, Dina

, 6, 64–65, 81, 94, 114

Klein, Steven

, 102

Kristeva, Julia

, 71

Lauro, Sarah Juliet and Embry, Karen

, 77

Ledger, Heath

, 16

Lee, Harper

, 14

Life/death, boundary crossing

, 54

Limbs, transplantation

, 53

Living, suspension

, 54

Lord of the Rings, The

, 29

Mad Love

, 51

Mansion of the Doomed

, 52–53

McDermid, Val

, 3

McQueen, Steve

, 20

“Message to the Public” (Scott)

, 19

Michael, George

, 13, 16

Mini Marilyn

, 34

Mitford, Jessica

, 87

Monroe, Marilyn

, 6, 20

ownership

, 33–34

Monster Calls, A

, 113

Monsters

fictional monsters

, 77

Undead, association

, 75–76

Monstrosity, containment

, 84–85

Moore, Liv

, 77

Morbid sensibility

, 63, 65

dead mobilisers

, 89

impact

, 66–67

mobilisation

, 93

Morbid space

, 63

body, relationship

, 72

selfhood, relationship

, 79

Undead, relationship

, 71

Morrison, Jim

, 16

Mortality

issues (addition), morbid sensibility (impact)

, 67

vicarious experiences

, 113

My Best Friend is a Vampire

, 70

Myths, significance

, 60–61, 115–116

National Portrait Gallery, “Face of Fashion,”

, 102

Never Let Me Go

, 51

Night of the Living Dead

, 68, 80

Oates, Lawrence

, 18–19

O’Neal, Shaquille

, 33

O’Neill, Robert, D

, 43, 45, 48–49, 52–53

One Direction

, 22

“Order of the Good Death, The,”

, 92

Organ donation

compulsory organ donation

, 51

mythology

, 44–45

voluntary action

, 50

Organ shortages

, 50

Organ transplantation

, 41

mythology, popular culture examination

, 48–49

scholarship, range

, 43–44

Ossorio, Sonia

, 102

Othered identity

, 78–79

Otherness

, 58–59

Others, body (difference)

, 82

Out of home advertising (OOH)

, 33

Penfold-Mounce, Ruth

, 3-4, 7, 28, 42, 52, 55, 66, 67, 71–72, 94, 105–106, 115–117

Perry, Katy

, 22

Pierson, David P.

, 95, 107

Popular culture

death/dead, encounter

, 111, 113–114

glossy topics

, 115–117

power

, 116–117

usage

, 115

Posthumous career, Williams management

, 34–36

Posthumous performing

, 21–22

Presley, Elvis

, 33

posthumous career

, 25–26

posthumous earnings

, 25f

Price and Prejudice and Zombies

, 69

Primordial terror

, 94

Prince

, 13, 26

posthumous career

, 26–27

Princess Diana

, 33

Princess Grace of Monaco

, 20, 33–34

Provocative morbid space

, 79, 82, 117

Public relations (PR)

, 33

Pushing Daisies

, 100

Returned, The

, 81, 82

Reynolds, Debbie

, 13

Rhys-Meyers, Jonathan

, 10

Richardson, Natasha

, 17

Rickman, Alan

, 13

Robin Williams Trust

, 35

Rogers, Ginger

, 32

Rogue One

, 21–22

Romero, George

, 80, 84

Ronge, Barry

, 31

Royal Wedding

, 32

Safe morbid space

, 74–75, 117

Savile, Jimmy (notoriety)

, 28

Schultz, Charles

, 23

posthumous earnings

, 29

Science, threat

, 49

Scott, Robert Falcon

, 18

Second-hand reality

, 46

Second wave feminism

, 73

Selfhood

absence

, 83–84

loss

, 80

morbid space, relationship

, 79

Self, sense (loss)

, 79–80

Senna, Ayrton

, 18

Shaun of the Dead

, 69, 84

Shelley, Mary Wollstonecraft

, 45

Silence of the Lambs, The (Harris)

, 42

Silent Witness

, 104

Simpsons, The

, 53

Sinatra, Frank

, 27–28

Six Feet Under

, 97–100

Slaughter, Karin

, 3

Smith, Anna Nicole

, 17–18

Social-science fiction/research

, 67

Space, creation

, 94

Special dead, commemoration

, 10–11

Star Wars: A New Hope

, 22

Stoker, Bram

, 85

Superette

, 101

Swiss Army Man

, 97

Sylvia, Claire

, 58

Symbolic Exchange and Death (Baudrillard)

, 4–5

Taylor, Elizabeth

, 6, 14, 23–24

posthumous earnings

, 24f

Tenga, Angela and Zimmerman, Elizabeth

, 68, 70

That’s Entertainment! III

, 32

Timely (dead celebrity death category)

, 14

Tolkien, JRR

, 29

Top Earning Dead Celebrities (Dead Rich List)

, 22–23

trends

, 24–25

Tragic (dead celebrity death category)

, 14, 15

Tragic-foolish (dead celebrity death category)

, 14, 17–18

Tragic-heroic (dead celebrity death category)

, 14

Transplantation

, 55

mechanical process

, 57

recipients, cellular memory (documented accounts)

, 58–59

recipients, experience

, 56–57

non-fictional accounts

, 57–58

stories, plots

, 48–49

Transplantation mythology

, 46

catalyst

, 45

examples

, 47

roots

, 44

theme, recurrence

, 47

True Blood

, 69, 77

Trust, misplacement

, 49–50

27 Club

, 15–16

28 Days Later

, 68, 75

Twilight Saga

, 69–71, 81

Undead

, 63

agency

display

, 74–75

morbid sensibility, impact

, 66–67

authentic dead, contrast

, 96

body, role

, 78–79

cannibalistic tendencies

, 77

fictional monsters

, 77

horror/fantasy genre

, 67

horror-fantasy setting

, 72

monster, associations

, 75–76

monstrosity, containment

, 84–85

morbid sensibility

, 65

morbid space

, 71

Othered identity

, 78–79

popularity, increase

, 64–65

types

, 63–64

viewer consumption

, 74

“Unforgettable” (recording)

, 21

Untamed Heart

, 56

Vampire Diaries, The

, 64–65, 81

Vampires

, 63–64

cultural norms, subversion

, 70–71

dominance, challenges

, 81–82

eroticism

, 70

nonhuman ideal

, 81

zombies, contrast

, 69–70

Waking the Dead

, 104

Walker, Paul

, 17

Walking Dead, The

, 64–65, 68, 76

Walter, Tony

, 5, 66, 92–94

Warm Bodies

, 69, 81, 82

Weekend at Bernie’s

, 97

Western culture, death denial societies

, 114

Wilder, Gene

, 13

Williams, Robin

, 6

posthumous career management

, 34–36

Windfall Foundation

, 35–36

Winehouse, Amy

, 16

W Magazine

, 101

Wogan, Terry

, 13

Wood, Victoria

, 13

Woodthorpe, Kate

, 2, 5, 113

World War Z

, 69

Xenotransplantation

, 51–52

fictional accounts

, 49

Zombieland

, 69

Zombies

, 63–64

agency, display

, 76–77

blankness

, 83–84

decomposition

, 76–77

genre, capitalist society representation

, 84

metaphors, Alzheimer’s disease (relationship)

, 83

morbid sensibility vehicle

, 68–69, 83–84

portrayals

, 68–69

selfhood, loss

, 80–81

vampires, contrast

, 69–70