Table of contents - Special Issue: The cinematic contradiction of the China-Hong Kong integration
Guest Editors: Cheung Si-Keung
From transnational to Chinese national?: A new in-betweenness of Hong Kong cinema in the postcolonial politics of disappearance
Siu Keung CheungThis paper aims to challenge the longstanding cosmopolitan interpretation of Hong Kong, particularly why this global city fails to absorb China equally through its great…
Trivisa or Amphetamine?: Hong Kong – China cinema co-production during the first ten years of CEPA
Chan Ka MingSince the launch of the Mainland and Hong Kong Closer Economic Partnership Arrangement (CEPA) in 2003, Hong Kong cinema is believed to have confronted drastic changes. Hong Kong…
Ideological battles in and out 1911
Siu Keung CheungDuring the centennial anniversary of Xinhai Revolution in 2011, the Chinese People’s Political Consultative Conference and the State Administration of Radio, Film, and Television…
Lost in Hong Kong: Hong Kong as a “bizarre national redemptive space” for the new Chinese middle class
Peter LokThe purpose of this paper is to explore how a neo-liberal nationalist discourse of China imagines the spatial identity of the post-1997 Hong Kong with reference to Lost in Hong…
The colony writes back: nationalism and collaborative coloniality in the Ip Man series
Siu Keung Cheung, Wing Sang LawThe majority of Hong Kong filmmakers have pursued co-production with China filmmakers for having the Mainland market at the expense of local styles and sensitivities. To many…
Despair and hope: cinematic identity in Hong Kong of the 2000s
Joseph Tse-Hei LeeThe goal of this article is to examine the current trends of political cinema in postcolonial Hong Kong. Many leaders of the Hong Kong mainstream cinema have accepted the Chinese…
ISSN:
1871-2673Online date, start – end:
2016Copyright Holder:
Emerald Publishing LimitedOpen Access:
hybridEditor:
- Professor Tai-lok Lui