Prison and pop

Abstract

Purpose – This chapter examines how prison spaces are depicted in fictional contexts built around icons of popular music. Given that both icons and inmates occupy spaces that the majority of the population does not observe or experience, I am interested in the degree to which prisons serve as stagings for queer expression, even when inhabited by mainstream music stars.

Design/methodology/approach – The lyrical content and visual texts of Elvis Presley’s “Jailhouse Rock,” Michael Jackson’s “They Don’t Care About Us,” Lady Gaga’s “Telephone,” as well as material from mainstream musicals like Chicago, are closely analyzed and linked to other scholarly work on prison narratives.

Findings – In addition to binding the power of pop iconicity to the experience of incarceration, the musical numbers and cultural artifacts examined here also reveal differing manifestations of queer motifs in their visual and lyrical construction. Mainstream representations of prisons’ unique and liminal social orders are therefore considered to be open to queer renderings of affection and provocation.

Originality/value – Although prison sexuality is intensely studied by human rights organizations and criminologists, the possibilities for queer expression within fictional prison contexts have not been explicitly linked to the pop personas of music superstars and their creative projects.

Citation

Corona, V.P. (2013), "Prison and pop", Music and Law (Sociology of Crime, Law and Deviance, Vol. 18), Emerald Group Publishing Limited, Leeds, pp. 179-195. https://doi.org/10.1108/S1521-6136(2013)0000018012