Citation

(2018), "Index", Holland, S. and Spracklen, K. (Ed.) Subcultures, Bodies and Spaces: Essays on Alternativity and Marginalization (Emerald Studies in Alternativity and Marginalization), Emerald Publishing Limited, Leeds, pp. 255-262. https://doi.org/10.1108/978-1-78756-511-120181018

Publisher

:

Emerald Publishing Limited

Copyright © 2018, Samantha Holland and Karl Spracklen

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INDEX

Index

Note: Page numbers followed by “;n” with numbers indicate footnotes.

Able-bodied people (ABP)

, 172–173

Aborted (‘Whoremaggedon’)

, 35

Abrahamic religions, alternativity in

, 241–243

Academic theories of alternativity

, 244–245

Academy Studio sound

, 92

Aesthetic alternativity

, 231–234

Aesthetic qualities

, 52

Ageing

, 154

Ageing alternative women

, (see also Women’s bodies in heavy metal), 8

alternativity and femininities

, 197–199

authentic

, 199–202

authenticity in subcultures

, 195–197

participants and data collection

, 193–195

Alternative space

, 82, 205

Alternative subculture

, 28, 33

Alternative women

, 191–192, 200

Alternativity

, 1, 2, 197–199, 225, 239

academic theories

, 244–245

aesthetic

, 231–234

in classical period and in Abrahamic religions

, 241–243

and femininities

, 197–199

in leisure studies and popular cultural studies

, 246–248

philosophy

, 240

popular notions

, 243–244

American vaudeville aesthetic

, 66

Anathema (band)

, 82, 88–90, 93

from Liverpool

, 5

music

, 85

Anglo-American world

, 51

Anime

, 49

Anime convention

, 49

Anohni and transgendered/trans age transgression

, 154

marks of transgression

, 159–161

MARROW and DRONE BOMB ME

, 161–162

music video as ‘queer’ space

, 154–157

music videos

, 163–164

queer sounds

, 157–159

Anti-racism

, 7

Antigay propaganda law

, 145

Arab pop music

, 47

‘Atlantis’ (song)

, 17

Attractiveness

, 52

Audio-visual contributions

, 154

Augustinian theology

, 39

Authentic culture

, 199–202

Authentic subcultural inception

, 201

Authenticity

, 14, 19, 21, 194–195

in subcultures

, 123, 195–197

Babylon

, 35

Babylon (album)

, 78

Bacon tattoo

, 113

Barghest o’ Whitby, The (2011)

, 5, 81

Bee Hive

, 228

Behemoth (‘Amen’)

, 32, 33, 38–39

Biomedical model

, 181

Birmingham Centre for Contemporary Cultural Studies (BCCCS)

, 206–208

Black Metal (BM)

, 34

Blacklips Performance Cult, The

, 154–155

Bodies

, 105–106

Body art

, 127

Body Modification Ezine (BME)

, 15

Borneo BN bands

, 34

Bubbles of inspiration

, 225–229, 230

Cannibal Holocaust (1980)

, 75

Canterburied Sounds

, 221, 229

Canterbury Cathedral

, 227

Canterbury Sans Frontières

, 221, 228

‘Canterbury scene’

, 9, 222

Canterbury Sound

, 9, 220, 227

aesthetic alternativity, marginality and DIY

, 231–234

bubbles of inspiration vs. hegemony of heritage

, 225–229

marginalisation of performance

, 229–231

methodological approach

, 220–221

music and place

, 224–225

myth and metaphor

, 221–224

Canterbury Sound: Place, music and myth (event)

, 232

Canterbury Soundwaves

, 221, 228

Canterbury Tales: The Best of Caravan

, 221–222, 226

Capitalism

, 2, 176, 243–245, 247, 250–251

Catholicism

, 243

Cavern Club

, 225

Centre for Contemporary Cultural Studies (CCCS)

, 121

Chamber-pop

, 155

Chicago School of Sociology

, 220

Chicana canvas

, 125

Cis-gendering

, 39–40

City of Canterbury, place of music in

, 225–229

Class

, 170–171

Clockwork Orange, A

, 46, 51

Cloven Hoof (‘Whore of Babylon’)

, 32, 33, 35–36

Communication

, 107

Communicative culture

, 251

Communism

, 244

Compensation

, 33

Conflict

, 107, 120, 126, 215

‘Conservative’ method

, 62n1

‘Consumer managerialist’ structures

, 180

Context

, 82–83

Copyright issues

, 32

Counterculture

, 1–2

Cradle of Filth (‘Lilith Immaculate’)

, 32, 33, 36–38

Crash of Moons (Brodigan)

, 220, 230

Crimson Idol, The (album)

, 77

‘Critical insider’ researcher

, 220–221

Cultural memory

, 224–225

Cultural work

, 156–157

Culture

, 1

Cunts

, 35

‘Custom’ tattoos

, 128

Cybercultures

, 16

Daily Beast, The

, 139

Dann’s analysis

, 5

Data collection, participants and

, 193–195

De-metaling

, 62n1

Death/doom music world

, 5, 83, 84, 86–90, 93

Defilement

, 35

Desert Tide (video)

, 17

Deviance

, 124–125

‘Diamonds’ on Saturday Night Live (Rihanna)

, 17

Disability

, 170–171

sociological theory and

, 174–179

sociology, social justice and

, 171–173

Disability Discrimination Act

, 175

Distress

, 181

Distress

, (see Mental illness)

‘Diva Satanica’

, 32

‘Do it yourself’ movement (DiY approach)

, 91, 209, 210, 225, 230, 231–234

‘Double social model’ of disability

, 177

Dreadful Hours, The (album)

, 95

Dress of subcultures

, 22

Driller Killer (1979)

, 75

‘Drone Bomb Me’ (song)

, 161–162

Dumbbells

, 109–110

Dungeonmaster, The (movie)

, 77n18

Dynamic force in cultural reproduction

, 159–160

Eco-ability challenges

, 178

Ecological validity

, 182

Electric-vaudeville

, 65

Electro-convulsive therapy (ECT)

, 181

Elite tattoo collector

, 123

Embodied production

, 124

Embodiment

, 104–107, 143

Emotion

, 32

Emphasized femininity

, 206

Empirical programme, new theory and

, 249–251

English identity

, 48

English language skills

, 50–51

English ‘Northernness’

, 90–96

Environmental racism

, 141

Epistemology of research

, 179–185

Equality Act

, 177

Equality and Human Rights Commission (EHRC)

, 172

Ethnographies of tattoo artists and collectors

, 121

Evil mothers

, 38

Ex nihilo

, 1

Expressive facial gestures

, 68–69

Facelift: The Canterbury sound and beyond (Howitt)

, 228

Facial expressions

, 67, 71

Farmhouse

, 227, 228

Fashion

, 49

subcultural experiences

, 14

Female sexuality

, 74

Feminine standards

, 126

Feminine-identified fashions

, 64

Femininities

, 103–107, 206, 207

alternativity and

, 197–199

negotiating

, 108–112

traditional

, 108

Feminism

, 33, 134–135, 244

Feminists

, 136, 240

disability scholars

, 176

textual criticism

, 31–32

Filthy

, 15, 75n16

Flavorwire (magazine)

, 155

‘Fluffy’ femininity

, 192

Folk metal

, 29

Free Range performance series in Canterbury

, 220

Free Range series (Bailey)

, 230

Frog and Toad band

, 92–93

From Soup to Nuts (1928)

, 68

Frozen Illusion (1989)

, 86

Gender

, 106, 130, 170–171, 193, 205, 208–211

Gender equality

, 7

Gender-bending

, 214–215

General culture

, 51

‘Girl gamer’

, 215

Glam metal (1980)

, 4, 62–63

Global metal music and culture (Hill)

, 28

Globalisation

, 5, 44–45

Goth subcultural aesthetics

, 23

Gothic (album)

, 86

Gulf, subculture logic in

, 46–48

Gulf University for Science and Technology (GUST)

, 48

Gypsy Queens (band)

, 129

Health Goth

, 18–19

Health Goth subculture

, 23

“;Heavily tattooed” impacts

, (see also Tattooed female bodies)

methodology

, 125–126

resistance, subculture and gender

, 130

self-expression through tattoo art

, 126–130

subcultures, neo-tribal style and women’s prominence in tattooing

, 121–125

women in tattoo subculture

, 119–121

Heavy metal

, 29, 64

music textuality

, 28

Hegemonic masculinity

, 29, 206

Hegemony of heritage

, 225–229

Heritage

, 224–225

Heterosexual norms

, 106

Hip-Hop

, 212–213

culture

, 46

feminism

, 213

‘Hometown blues’ (song)

, 222, 226, 227

Hopelessness (album)

, 7, 154, 157, 159–161, 163, 165

Humanity

, 35

Hyper-masculine bodies

, 122

Hyper-masculine environment

, 120

I am a Bird Now (album)

, 155

In my opinion (IMO)

, 86

In the Land of Grey and Pink (album)

, 9, 221

Inauthenticity

, 197

Inclusion/assimilation

, 170

Individualism

, 91

Industrial capitalism

, 176

Industrial Revolution

, 95

‘Integrated professional’ category

, 87

Internet

, 14, 46

functions

, 5, 44

Internet-based economy

, 137

troll

, 22n1

Inversion

of convention

, 28

of morality

, 28, 34

Irrational perspectives

, 179–185

J-rock

, 49

Japanese culture

, 4, 43–44

contrasts with Kuwaiti culture

, 52–54

Japanophilia in Kuwait

, 44, 50

attractiveness

, 52

different from other people in society

, 57–59

English language skills

, 50–51

general culture

, 51

globalisation

, 44–45

interest in Japanese/Korean culture change

, 55–57

interests

, 49–50

Japanese culture

, 43–44, 52–54

logic of subculture in Gulf

, 46–48

Meme Café

, 45–46

national identity

, 51

personal research

, 54–55

survey

, 48

‘Jazz metal’

, 84

Juxtaposition

, 37

K-Hole

, 17, 19, 21

Kalevala, The

, 39

Kerrang (magazine)

, 67, 69n9

KissAnime

, 49

Korean TV dramas

, 49

Kuwaiti culture

, 44

Japanese culture contrasts with

, 52–54

Kuwaiti Internet generation

, 46

Kuwaiti media reinforce nationalism

, 51

traditional

, 46, 47

‘Lain with the Wolf’ (Primordial)

, 32

Laurel, Stan

, 68–69

Lawless with prosthetic fingers

, 74

Leisure studies

, 240

alternativity in

, 246–247

Leisure theory

, 246–247

Lemonade (album)

, 135

Lesbian activists

, 134

‘Lifestyle’

, 121–122, 246

Lilith (goddess from later Judeo-Christian demonology)

, 35, 38

‘Lilith Immaculate’ (song)

, 32, 37

Live Death (Farrow)

, 86

Liverpool-based grindcore band

, 88

Lobotomy

, 181

Lost Paradise (album)

, 86, 89, 92

Lyrical content

, 162

Madness

, 170, 181

and epistemology of research

, 179–185

Mainstream society

, 242

‘Make America Great Again’

, 136–137

with orange lip gloss

, 140–144

Male-oriented subcultures

, 120

Maleness

, 35

Malestream

, 134–135, 170

disability theorists

, 176

Manga drawings

, 45

Manowar (band)

, 77

Marginalisation

, 1, 8, 19, 20–21, 22, 77, 136

of women

, 28

Marginalisation

, 136

Marginality

, 231–234

Marks of transgression

, 159–161

Marrow (song)

, 161–162

Marxist

, 240

Masculine subcultures

, 120

Masculine trait

, 106

Masculinity

, 40, 205, 206

Mass debasement

, 35

Mass destruction

, 35

‘Massive’ tattoo

, 109

Massively multi-player online role-playing game (MMORPG)

, 214

Melody Maker (music magazine)

, 66

Membership of subculture

, 193

Meme Café

, 45–46

Meme Curry

, (see Meme Café)

Mental distress

, 170

Mental illness

, 7, 180

Mephitic leisure

, 246–247

Metal

, 28, 211–212

cultural collusion with mainstream morality

, 33–34

music

, 28

text

, 32

women’s bodies in metal lyrics

, 35–39

‘Micro music’ scene reality

, 9

Middle East Film and ComicCon (MEFCC)

, 49

Misogynist-themed aesthetics

, 63

Misogyny as artistic device

discourse analysis

, 63

glam metal bands

, 62–63

methods

, 67

observational analyses

, 67–77

W.A.S.P.’s Post ‘80s marginalization

, 77–78

W.A.S.P.

, 65–66

Monster (film)

, 73, 76

Monsters of Rock festival (1978)

, 66, 70, 71

Morality

, 35–39

traditional language of

, 40

Multimedia discourse analysis

, 6

Music video

, 63, 156, 163–164

for Hopelessness and Paradise

, 7

as ‘queer’ space

, 154–157

to Seapunk subculture

, 17

Musical subcultures

, 127

My Dying Bride (band)

, 5, 82, 86–88, 90, 92–95

Naming

, 21

National identity

, 51

Negotiation

, 107

femininities

, 108–112

Neo-tribes

, 121–125, 246

Neoliberalism

, 250

Nightmare On Elm Street (1984)

, 73, 75

Nightmare On Elm Street 5, A (1989)

, 77n18

Ninnghizhidda – ‘Rape (The Virgin Mary)’

, 32, 33, 39

Niqab girl

, 44

Non-formulaic behaviour

, 51

Non-normative women

, 154

Normcore subculture

, 17–18, 20, 21, 23

Normcore-desired sartorial experiences

, 24

Norms

, 105

Northern England-based bands

, 5

Northernness

, 5, 82

Off Main St: Syd Arthur in Canterbury, UK

, 221

Online

, 214–215

Online subcultures

, 16, 19, 21

ideologies

, 21

‘Ontological’ style

, 82–83

Outrageous movies

, 75

Paradise (music video)

, 7

Paradise Lost (band)

, 5, 82, 84–86, 89–90, 92–93

Parents Music Resource Center (PMRC)

, 62, 73, 77

Participants and data collection

, 193–195

Peaceville Records

, 82, 84

Peaceville Three

, 5, 82, 84, 89, 90–96

Penetration

, 40

People with disabilities (PWD)

, 173

PianoWorks 1 (Sinclair)

, 221

Piper, Steve

, 229

PlamoQ8

, 4, 43

Pop music

, 44

Popular cultural studies

, 240

alternativity in

, 247–248

Popular culture

, 33

Popular music

, 4, 220, 224

Popular notions of alternativity

, 243–244

Post ‘80s marginalization

, 77–78

Post-authenticity

, 19–24

Post-Marxist

, 240

Post-structuralist

, 240

‘Post-subcultural’ studies

, 121–122, 207

Post-Subcultures Reader, The

, 14

Postmodernism

, 21

Pre-modern cultures

, 241

Primordial (‘Lain with the Wolf’)

, 32, 33, 38

Program and Review theory

, 22

Protestantism

, 243

Psychiatric survivor movement

, 179–180

Psychoanalytical exploration of ageing

, 161

Psychodrama

, 65

Psychological androgyny

, 64

Psychological androgyny theory (Bem)

, 64

Punk

, 208

origins

, 84

Riot Grrrl

, 210–211

sXe

, 209–210

‘Putin’s victims’

, 6

Q8con

, 4, 43

Quasi-subcultures

, 3, 14

Queer sounds

, 157–159

Queer temporality

, 7, 154

‘Queer time’

, 154

‘Queer’ space, music video as

, 154–157

Race

, 29, 170–171

Racism

, 181

‘Rack, The’

, 65–66

Rape (The Virgin Mary)

, 32, 39

Redemption at the Puritan’s Hand (Primordial)

, 38

Reflexivity

, 5

Regulation

, 103–104

Reight Mardy Tykes

anathema

, 88–90

methods

, 83–84

My Dying Bride

, 86–88

paradise lost

, 85–86

peaceville records and punk origins

, 84

The Peaceville Three and English ‘Northernness’

, 90–96

Reinforce femininity

, 124

Religion

, 52–53

Repression

, 73

Resistance

, 19, 130

Riot Grrrl

, 135, 138, 143, 210–211, 213–214

Robert Wyatt mural on Dover Street

, 228

Rock ‘n’ roll musical styles

, 224

Romantic Warriors (film)

, 221

Romantic Warriors III: Canterbury Tales (film)

, 229

Runescape

, 214–215

‘Russia-West divide boils down to gay issue’

, 136

Russian feminism

, 134

Salvation

, 38

Sartorially subcultural identity

, 22–24

Saturnus

, 92

Seapunk subculture

, 16–17

Seapunk themes

, 17

Seinfeld (TV series)

, 18

Self-expression through tattoo art

, 126–130

Self-motivated community

, 21

Self-regulation

, 104

Self-surveillance

, 104–107

Service-user movements

, 179–180

7-string/baritone guitars

, 89

Severed Survival (album)

, 84

Sexism

, 212

Sexual performance

, 36

Sexual violence

, 181

Sexuality

, 106

Silent Enigma, The (album)

, 5, 93

Silent movie actors

, 70

Silent Waters (2007)

, 39

Sloat’s analysis

, 63, 64

Social constructionism

, 107, 171, 174

Social justice

, 171–173

Social media

, 14

Social processes

, 107

Social Sciences

, 104

Social system

, 171

Socialism

, 242

Sociological theory

, 174–179

Sociology

, 7, 171–173

Sound Mirror (album)

, 226

Spectacle of Russian feminism

Day West found out about Russian feminism

, 137–140

expertise

, 144–146

‘Make America Great Again’ with orange lip gloss

, 140–144

Stainthorpe

, 86

Stereotyped images

, 33

Stigma

, 129, 171

Straight-edge (sXe)

, 209–210

Street fashions

style

, 49

subcultural authenticity and post-authenticity

, 19–24

subcultures

, 14–15

subcultures online

, 15–19

Student-orientated leisure economies

, 229

Stylistic communities

, 127

Subcultural authenticity

, 19–24

Subcultural capital

, 2, 194–195

Subcultural identity

, 19, 20–22

Subcultural membership

, 120

Subcultural theories

, 127

Subcultures

, 3, 14–15, 46, 121–125, 128, 130, 207, 246

aesthetics

, 19

authenticity in

, 195–197

Health Goth

, 18–19

logic in Gulf

, 46–48

Normcore

, 17–18

online

, 15

Seapunk

, 16–17

Subversion

, 28

Survivor activism

, 183

Sustainability

, 178

Targeted public harassment

, 124

Tattooed female bodies

, (see also “;Heavily tattooed” impacts), 103–104, 108

femininities, self-surveillance and embodiment

, 104–107

methodological approach

, 107–108

negotiating femininities

, 108–112

‘right’ and ‘wrong’ ways of tattooed

, 112–115

Tattoos

, 105, 107

tattoo-oriented media

, 6

tattooed bodies

, 104–105

women in tattoo subculture

, 119–121

Temporality

, 154

Textual analysis

, 34

Textual critical analysis

, 4

‘Textual representations reproduce gender ideology’

, 33

Textuality of heavy metal music

, 28

Tolikonnikova’s fame

, 135, 143

Torment

discourse analysis

, 63

glam metal bands

, 62–63

methods

, 67

observational analyses

, 67–77

W.A.S.P.’s Post ‘80s marginalization

, 77–78

W.A.S.P.

, 65–66

‘Tormentor’ (song)

, 66, 77, 78n22

Trans-ageing

, 154

Trans-medium

, 155–156

Transcendence

, 154

Transgression

, 246

marks of

, 159–161

Transgressive

, 1

Tribes or post-subcultures

, 196

Uncivilized Russia

, 139

Union of Impaired People Against Segregation (UIPAS)

, 174

Untenable positions

sociological theory and disability

, 174–179

sociology, social justice and disability

, 171–173

US-American culture

, 135–136

US-American mediatised alliance

, 135–136

US-American racial stereotypes

, 142

Vaudeville comedy

, 67–68

Veganism

, 193

Vegetarianism

, 244

Veteran California-based tattooist PK

, 128

‘Video nasty’ phenomenon

, 75

Video-recorded interviews

, 126

Virtually constructed fashion subcultures investigation

subcultural authenticity and post-authenticity

, 19–24

subcultures

, 14–15

subcultures online

, 15–19

Voice

, 159

Vulgarity and violence toward women

, 62

We. Are. Sexual. Perverts (W. A. S. P.)

, 62, 63n2, 65–66

post ‘80s marginalization

, 77–78

‘We’re Not Gonna Take It’ (Snider)

, 31

Western cultural elements

, 44, 46

Western gaze

, 134

Western-style curriculum

, 48

‘Whore of Babylon’ (song)

, 32

‘Whoremageddon’ (song)

, 32, 35

Wild Flowers, The (band)

, 229

Women

prominence in tattooing

, 121–125

in tattoo subculture

, 119–121

tattooed bodies

, 103–104

Women and Film (Kaplan)

, 37

Women’s bodies in heavy metal

, (see also Ageing alternative women)

Behemoth (‘Amen’)

, 38–39

on cis-gendering

, 39–40

Cloven Hoof (‘Whore of Babylon’)

, 35–36

Cradle of Filth (‘Lilith Immaculate’)

, 36–38

feminist textual criticism and choice of texts for study

, 31–32

investigating morality and

, 35

Ninnghizhidda (‘Rape (The Virgin Mary)’

, 39

Primordial (Lain with the Wolf)

, 38

research on

, 28–31

textual analysis

, 34

Yorkshire landscape

, 94

Yorkshire-based band

, 93

YouTube

, 46, 49, 154, 164